When first illustrating it in summer 2015 I exulted in roadside specimens hemmed in, as if through modesty, by thick grasses that mostly hid the blossoms. Just before beginning the project I mislaid my late mom's sunglasses alongside a turtlehead skirted by an improvised path barely discernible through the grass, a day or two before that hayfield was mowed. The day before the harvest I found her glasses with a blindly reaching hand, the turtlehead like a marker of that spot, after no amount of searching by eye would turn them up. Maybe because of that adventure, this painting, built of at least three perspectives--sidelong, top down and upward from sod level--is a little frenzied, by an artist who couldn't be contented with just a few standing-up views of the plant.
The red-bellied snake is an addition I can dedicate to my near neighbor on the west who first showed me the snake she captured by hand right off her sand-and-grass driveway well into autumn. I had seen this kind of snake from above but considered it some brown local version of a common garter snake. But close intimate looking reveals other markings, particularly on the underside; this breed of snake held high for viewing or rolled over shows a pink or pale red belly. The Latin name is Storeria occipitomaculata--and thank you Deb for making my introduction, you who grew up one county to the west of here.
I wanted some sort of land-form to offset all the billowy grasses and first thought of stumps, since they abound in squat and snaggy forms, but the open country where the turtleheads occur suggested different ideas. Ant mounds revealed themselves where I was prowling for ideas and so, in the vicinity of some old landowner's tumbledown carpentry I sat and painted a mound, symmetrical and shooting out its own grasses, into my picture. Ant mounds function as nurseries for the ant colony, and serve to open a piece of ground, allowing for exchanges of gases, water and nutrients via the concentrated activity of the ants. They are an indicator of nature at its busiest, and would likely be ruined if very many people were raising kids and letting pets run around nearby.
Old Field Comeback: Turtleheads with Red-bellied Snake, as I have titled it, is a revision of the 2015 work which had two snakes in it, and speaks for places with a possible, forsaken or forgotten human touch on them, with moulds and lichens and the likelihood of buried or exposed bones, with smells of a wide variety, and an overtone of sadness mixed with free-spirited delight, since today is today, suffering little enough of yesterday's grief. A link to it, partway down the page on epiphaniesafield.com is here
