Fear, then Enchantment

 When I first read an article about the Rewilding Institute, its mission undertaken for habitat conservation in the American Mountain West, I felt a sense of being called home. Awesome to behold a convergence between our tremulous human hold on earth, air and water--while population explosion is spinning off climate breakdown with destructive weather in ever more places, along with extinctions, water shortage, urban sprawl--and now this team of people has set out to restore--re-wild--degraded open lands that less than a century ago were strongholds of creatures like grizzly bears. A valid question: What might more and more Americans discover they've been craving? Truer answers might go a long way toward resolving widespread depression, apathy and morbid sedentariness / obesity among our kind. Earth was created to be home to a grand documentary of living species that we have seen pictured or read of. Don't many of us long, based on what's being lost, for a world that replays for us its most cherished legends that come back and back to us out of documentary and folklore, that upholds for us a realm of familiar, exotic or evidently perished types of creature, including the potential that we could meet them out of doors? What if we could live as neighbors with a spectrum of wildlife in all sizes and classes that we'd find ourselves describing while talking to each other? How about a habitat mosaic that could turn out to be historic at the same time as real. For a moment, take fear of the alien out of the picture and concentrate on the magnificent and the lyrical.

Why have people devolved to thinking that becoming civilized means paving over natural land, denuding it of long grass, brush and trees and controlling the outdoors as nearly as possible as if it were hallways, bedrooms, kitchens and conference floors? Yes fear, Dick DeAngelis reminds us in his documentary "BeWild to Rewild" featured on the Rewilding Earth website--and in great part a failure to know ourselves as extensively as we might. 

What if we were taught early in life what justifiably warrants fear, out of a ranking of most to least likely sources of danger surrounding us? Most of us were as little children conditioned to fear living things like germs we can't see in the outdoors. Ongoing guidance about the storied hazards from venomous reptiles, rats, stinging insects, toxic bacteria and other threats to our health stemming from nature around us would provide us with reassurance about basic avoidance, or medical treatments easily available for treating what injuries might, if we're even a bit careless, occur. We could be taught to place fears of predators hidden in wild bushes, freshwater, grass and leaf litter in a realistic low ranking, below threats from muggers, shooters, leaking chemical storage sites, trucks careening out of control, etc.

If more and more people saw, instead of perils, the kinship between what grows in garden, grove and thicket we might be able to apply a fascination with the small-scale wild to bigger habitat that some still like to call wilderness, in a future when the mega-growth of our industrial civilization has, via natural calamity, plague and unspeakable tragedy been contained within a new understanding of limits. I'm leading to a theme of utopia here, yet what's inadmissible about utopian visions, especially in a present day when our collective modes of getting around and raising food and maintaining our comforts are so badly out of step with our life support here on earth?

Fear and shame underlie lifestyles so intensely tied to bodily comforts--luxuries, they used to be called--that half or more of us habitually eat much more than we need, sit our way through all forms of work and travel and contribute to climate havoc with the expectation that everything we do is substandard if it's not automated. Fear of bugs, bears or other vicious beasts goes way back and continues today; fear and shame about heading outdoors, having strength and muscular co-ordination enough to walk uphill and down are more and more the lot of modern people whatever our age, remarkably. Apart from people who suffer crippling diseases or neuromuscular trauma, ordinary folk in industrialized societies like ours have given in to a premise that riding something with a motor is their preferred option anywhere they need to go. With the mental acquiescence comes the body's own. With that mindset in possibly a majority is the acceptance of controlled, artificial indoor living and work space as a perpetual ideal.

On the larger topic of fear and shame, I found myself emotionally caught up in an article in The Sun magazine, issue 562 for October 2022, "All in the Family" by Mark Leviton, which was an interview with therapist Faith Friedlander. She cited common issues between adopted children and adoptive parents, leading up to her co-founding of a clinic in Ventura County, California with her husband, specializing in care for the adopted and for adoptive parents. Herself an adopted baby girl in the 1940s, she had tried kindling a friendship with her biological mom whom she had located during midlife but had met with a cold detachment and anger from the woman, by then a mother and grandmother several times over, who had given birth to her during a World War II military career. Single at that time, the mom had had a series of affairs with men unwilling or unable to make a commitment to her and did not know who the father was. As a trained therapist, Faith, warmly befriended by her newly-found half sister, could justify her birth mom's rejecting treatment on the grounds of intense shame she had undergone in that mid-20th century era when women who bore a baby out of wedlock were hushed and hidden by agencies set up to manage their collective plight. In today's terms it was a much-reflected-on genre of  scandal in which women much more than men were held to blame.

I was riveted by the concept of shame and humiliation, but from my own daughter's perspective, from what she experienced through her growing up as a stepchild in two households. Though in each one we adults, at least half of us, tried to make her feel like a welcome and promising girl on her way to competent womanhood, she was also made to feel during some intervals like a mistake who belonged out of the way of the adults. I won't point out those who were most culpable but for my part try to rate myself as a loving, earnest mom who never-the-less had my own preoccupations, was negligent in ways my child didn't understand how to point out, but still spent hours, days, emotional energy, gasoline, frustration, worry, money and statements from the heart making sure this daughter knew I loved her, that her future beckoned, that she abounded in capability and had wonderful talents surpassing my own and surely others'.  But still, now that she's far away, in her thirties and in a lucrative chosen profession, I never hear from her except in text messages, remote in tone and timing. She's a minimalist in regard to family ties. Yet I've come to a point of seeing that admitting to this as estrangement pains her; she has denied that it is estrangement. True to her character all the way back, she wishes not to hurt me. The article pointed out to me that our underlying problem is her humiliation, a thing I could never undo or apologize enough for if even she'd give me the chance. 

Why there are these intense, generation-long frustrations and losses of privilege in all of our lives, ironies whose purposes we often struggle to name, which we could never have believed would happen to us, boggles us as we privately or out loud attempt interpretations, the process fading with the decades. We hope and pray there will evolve an ideal, gratifying outcome. Along with everyone, I suppose, in our smaller, vaster, more or less agonizing ways we've been wounded. And many wounds prove useful.

Last evening walking in golden October, with a chill like winter's from a cold wave lurching, abnormally early, from the Arctic all the way south to the Gulf coast, I thought to myself that art projects--I have two mixed-media watercolors pending, waiting for my return to a setting of cliffs and cedar tree configurations--are on a parallel with wounds to the heart. Or if wounds sound overly dramatic, then they're piercings. A fair number of us let such accidents happen to us by exposing ourselves to them in a scene not under our control, either sought out or unwitting. Our hearts and inner eyes were penetrated suddenly, tantalizingly or painfully, which we felt and still feel. To someone else the same thing might have only been something that just unimportantly happened--if to them it even happened. But as piercings or holes in us, they've left scars, and a scarred place in the act of healing is what an unfinished artwork somehow feels like. To heal as fully as we can, we have to finish the piece of art, thoroughly, attending to all details. We keep at it, even come back to it. By the end there'll be a healed scar and a creation we undertook, whatever it may be worth in the world beyond ourselves.

Going Afield--Southwestward in a Hesitant Springtime

 We returned for a second visit to the Black Mesa region, out at the tip of the Oklahoma Panhandle in April, 2022, following on a first trip in late winter 2021. I had picked April for coming back there on a hunch that April brings to those southern plains what May brings to Minnesota and the Canadian border region--greening up and songbird arrivals--only to notice the bleached yellow of the grass left standing the length of Highway 325 to Kenton, Oklahoma, which is a walk away from the border with New Mexico. Winter appeared to be hanging on to the land much as it was way up north, though snowless and crisp with sand and yucca plants.

Our arrival was on Easter Saturday, ahead of which, by phone, our host invited us to the yearly Easter pageant held nearby on the premises. Starting that evening at seven with the judgment and crucifixion of Jesus, at six the next morning another half would pick up with His resurrection and reappearance among the disciples.  So we joined the line of cars and pickup trucks proceeding a mile or so up the road in the lowering of evening, and saw what was to be a play with costumed actors on the cliffside within part of the mesa. All the audience parked and sat in their cars and trucks facing the cliffs like an audience at a drive-in movie. An announcer could be heard through outdoor loudspeakers and through everyone's car radio, if we tuned into one setting at the bottom of the dial. I found myself awed by the pantomimed enactment of the Christian story, set into the loftiness of the natural cliff amphitheater rearing high to our front and right side, with zigzagging pathways all the way to the top and in their midst the opening to a cavern--Jesus' tomb--the round cut-stone door rolled to the left.

As soon as we pulled away from our cabin in the shivery-cold dark of Easter daybreak we heard the pop-pop of tire trouble from our left rear wheel. Jerry got out on the gravel roadside and inspected all the tires, seeing nothing abnormal, and the sound quit as I sped up to match the pace of traffic in front of us. But parked again at the amphitheater, I got out and looked at the left rear tire, finding a bolt, with thread and nut jutting at a startling height from the middle of the tread. We finished taking in the spectacle of the troupes of disciples, Pharisees, scribes, procurator, Mary the mother of Jesus and Mary Magdalene and at last the risen Messiah, all the satin robes gleaming red, pink, purple, aquamarine, gold, black and white proceeding on routes more vertical than level as the sun rose to light the cliff with its pathways and ledges, the re-opened tomb and the three crosses uppermost at the peak, yesterday evening's rags signifying the crucified by now stripped away from the wood. Once we'd bumped our way down to the gravel and dust beside our cabin and set about removing the wheel, the tire by now crushed in folds and stinking of ruined rubber, Jerry detected a hole through the metal alloy of the rim between two of the spokes; that bolt had pierced all the way from the tread to the wheel as we crept the necessary short ways to a privacy we'd have done better without. Later we joked about changing the tire in the midst of the pageant's last act while the robed players descended the cliff to help out, building some modern-day roadside salvation into their message.

The next three days, as we waited for shipment of a new rim to the nearest Toyota dealer--many miles westward and north in Trinidad, Colorado, we had few options but to explore the Black Mesa on foot and by car, Jerry driving at a gentle pace with the lightweight 'donut' spare tire at risk of a blow-out far in rocky back country. Our host Jane filled us in about the area's drought, worse than that we'd endured in Minnesota over the previous two years; at least we'd had intervening scatters of snow or rain during ours, whereas locally, she said, no moisture had fallen since the last August. The cacti throughout the ranch crouched brown and puckered where not already dead, and thorn trees I could not name stood barren everywhere back from the budding cottonwood giants that lined one tributary of the nearby Cimarron River, much of it dry or in separated pools, winding its way northwestward. I gained one life bird species, the pair of ash-throated flycatchers in a thicket sprung from the streambed, birds willing to pose, however wary, vocalizing in alarm notes that alternated with courtship calls. Through three days of varied chill and dry heat with nearly constant wind, any birds were a scant few in number and variety compared to what I'd imagined before we came: one or several loggerhead shrikes that perched, foraging, among the thorn trees, the odd mockingbird, and bursts of sparrows across the pastures and slopes of scrub--birds quiet in the concerns of their apparent migration to mountainsides, prairies and tundra higher up the continent. Surprisingly numerous were the lark sparrows, the most I had ever seen in one place, now and again with vesper and white-crowned sparrows intermixed.

Black Mesa State Park

Even a parching scrubscape has a feel of animal potential, like a burn or a bog a thousand miles to the north, home of my heart and my artwork; and coming in the mysticism stoked by the Easter pageant, from a regimen of reading on the origins of and later bases for Christian faith was a reminder that Jesus and those convinced by his life and resurrection were desert walkers. An old philosophy that had soured for me was one I had built upon a vision of the stuff of life--mud, sand, rock, living matter, trickling water, mysterious enough to console me with its own mechanics, familiar, imaginable, a diversified embodiment of divine mystery. For many people stuff obedient to defined laws of physics remains enough to relax the mind and soul. But by now, I  draw courage from--indeed need--evidence of divine energy borne of a faraway yet encompassing source of things that knows us each as we can't know each other or ourselves, that's able to transform any material, any situation into something beyond what our limited reasoning would allow. With my wavering faith in the eminence of the supernatural embedded in the natural and scientifically understood physical, I find I've gained confidence that this landscape may, along with most, scorch to extinction generated by the trapped heat of our industrial gases and yet may, here and elsewhere, flutter again much later with foliage and flowing streams. Because that is the potential of ultimate Creation. Yes, and we owe our homage and life-saving work to tend it, protecting it for our era and the future as we protect ourselves. Long-term survival is a function of time in a magnitude that isn't ours to try and reckon. The scarce native creatures I saw there, always suddenly and by surprise--like the herd of pronghorn skimming along pathways beset with thorns, and the jack rabbit escaping me in kangaroo-bounds fast as an accelerating car--someday, somewhere may get their chance to increase; the coveys of quail I had hoped to find may end up common and daily visible--maybe, in another dimension, lovers of earthly creation will dwell alongside all these things and more. Maybe I am also delusional, but entirely so, probably not.

Meanwhile the Black Mesa remains a place hard to live in; animals of every kind need space around them to sustain themselves with enough water and nourishment; cattle, which are big in the local economy, must disperse themselves while their owners carry feed by truck to them as there is not enough grass for grazing. Conditions are lacking for growing hay. Landowners like our proprietors, Jane and Bobby Apple, who've stayed in that countryside for three generations have long since become savers and recyclers, gracing the various guest lodgings that include a log cabin and a stone house with a trove of the things that define a kitchen, the finds and keepsakes that cheer up a home anywhere they're put. Antlers in pairs throughout the guests' log cabin serve as coat hooks and towel racks. Mismatched dishes pulled out of bygone homes, given away or resold at thrift stores or yard sales await use on sideboards or in plain wooden cabinets under the sink. All of it homey with function, pieces on the wall inscribed by someone's hand or painted with a scene, hung and placed to give comfort to travelers little known to the hosts. 

Prickly pear

We avoided crossing any of the big cities lying between Black Mesa and home, driving state highways and old U.S. 2-lane routes instead, so that my conception of modern-day America shifted and gentled, ever so slightly. I had not realized there was quite so much tallgrass prairie throughout the agrarian state of Kansas, because we passed through the Flint Hills going westward and the Gypsum Hills coming back, and we saw a huge amount of grassland especially covering hills that no one had wanted to till and apparently no one much was grazing either. In Missouri and Iowa, greening, whipped and soaked by evening thunderstorms, we saw lots more wild old grass, with buildings scattered as if in deference to stubborn realities of what remains affordable. The motel room in Clarinda, Iowa was itself an exhibit in make-do and harvested material that in another, maybe more prosperous economy than what many of us live within now would not have occurred to the builder or remodeler as inviting decor: corrugated steel seen oftener on farm silos alongside the bed, and rough-milled raw boards of cedar used as corner trim from someone's rustic sawmill in back country that may have been the mountain West.

We're so many of us coming back from a shutdown, a shortage or tragedy, learning to do what we can to repair damages. In 2020 Vine Arts Center, the member gallery just north of Lake Street in Minneapolis, was hit with jets of destructive water when sprinklers in the ceiling went off reacting to a fire on the roof, ignited when a bar just up the avenue went ablaze during the George Floyd protests. Hardwood flooring warped and lifted up, electrical and other structural ruin ensued and the gallery, along with a lot of neighboring studio space in the Ivy Building was forced to close for months to undergo repairs. At least one entire body of artwork was destroyed. Just now in spring 2022 the Vine is virtually ready for use, needing only replacement lighting and ceiling fans which have been ordered. Plans are in discussion for a first member show in September. A drawing group has been welcomed to use the gallery space; soon members and the public will again gather there to boost the careers of Minnesotan and regional artists, musicians and writers with monthly shows, readings, concerts, you name it.

There is a never-ending, but even heightening, demand on us that we learn creative responses to what happens around us. Our climate everywhere, I think, is becoming harsher and unfavorable for the rituals we rely on like food production, foremost of all. We are being forced against our will to contain our growth and impact upon this earth. Re-openings remind us of what we can--it may be now or never--start to do for ourselves and each other. The Earth has long been an intensely co-operative place.

An Autumn Vagrant, Come then Gone

Four highway hours down the state from our home the sighting of a Ross's gull, ultra-rare in the U.S. Midwest, showed up on Facebook the Saturday after Thanksgiving. Bursting with the exuberant hope that the prospect of my next life bird instills in me I drove, next day, the distance down to Point Douglas, a community just across the St. Croix River from Prescott, Wisconsin. I arrived right at noon. Skies were vivid blue, the air with a nip of late autumn, and predictably a swarm of birders, most, in this phase of my life, much younger than me, swirled just below the Minnesotan end of the river bridge where, on the base of a sunlit abutment, sat the gull, an immature bird already showing the pink tinge on the breast feathers that many an enthusiast might have expected to see only on an adult Ross's. 

Soon after I had focused my scope on it, the gull, probably stressed by the gathering crowd, flapped away and beat across the ripples to the Wisconsin shore to lose itself against a riprap embankment. A  man who could have been my daughter's age graciously refound the gull for me where it hunkered by crevices in the stone, greyish-white against more greyish-white background but plain to our studying eyes, once it was in focus and crisply defined in viewing light that could not have been better. I could see facial marks, bill and folded wing along one side. People gazed, chatted, joked and enjoyed standing maskless among like-minded strangers and friends in the fresh air; new arrivals were offered assistance from those present, while the gull gradually roused, eased itself to the waterline below the rocks and gulped a little fish. 

To imagine: this dainty gull, all alone with no gull neighbors whatsoever, hatching probably in Siberia or else Arctic coastal North America before, for whatever reason, flapping or coasting all the vast latitudes over to Dakota County on Minnesota's eastern state line! Not too much later for the onlookers the bird lifted into air and flew high, back our way, exhibiting the greyish-blue underwing setting it strikingly apart in terms of color from our commoner gulls, and the short wedge-shaped tail, blackish at the tip, that also marks this species. Many of us rejoiced, as I announced for anyone in sympathy with me another gift from the universe and got ready for the drive back north. All birds I've yet to see before, especially if they're accidental visitors, are sacred gifts in my estimation.

Two days later the gull was reported dead on arrival at the Wildlife Rehab center in Roseville, after being collected, listless and grounded, from the same area of riverbank where we'd all stood watching it. The sighting had been the fourth reported for Ross's gull in Minnesota. News of this death smote significantly at some hearts among followers who had gone and seen the gull and felt uplifted at the thought that here to our heartland had come something like an emissary of its kind, driven by the great Unknown on a quest as far-reaching as the Mississippi flyway. In response a birder named Andy Forbes from Dakota County, MN posted an excerpt on a birding listserv from A Year on the Wing: Four Seasons in a Life with  Birds by Tim Dee: 

  "The yellow-browed warbler I saw …  had made a mistake, and it is probable that no amount of nurture on Fair Isle could truly rescue it.  Vagrancy is a death sentence. Almost all of the rarities that arrive on the island (and almost all vagrants anywhere) will have the same fate. They are wonderful treasures from far away that we cannot keep and cannot save. There is very little evidence that vagrant birds reorient themselves and correct their  journeys.  It seems likely that the yellow-browed warbler, having gone southwest where it should have gone southeast, would continue this aberrant direction and fly on west out over an ocean that has no refuges, no green skirts, for thousands of miles.  That would be the end of it.  It would  soon be homeless.  I was watching a lost child at death’s door."

I was comforted by that reading and sent the poster a note to say so.

My hand illustration in my customary mixed media based in watercolor and gouache followed in about a month's time; I completed the piece on paper that buckled in two places where the birds' wings extend from their shoulders. Those dents have been edited out in software but remain in the original. From this impromptu little artwork I plan to offer cards for recipients awed by the grace of gull flight and by the potential, ever with us on earth, for sighting a rare bird out of place and oriented by the not-impossible motive to survive under new circumstances.

A Year at Big Rice Lake

Outdoors painting in a slow April-May, I imagine again and again the panorama of Big Rice Lake in its spiral of four seasons. The far shore, as I look from my husband's family's point of land, is gradually and still subtly greening between days that still blow cold, nights that continue to freeze, and the occasional interval of warmth, never more than a day or two long. The sky is an ocean of clouds that darken at the base and threaten to sprinkle. When the rifts between clouds ride overhead along the northwesterly current of wind so as to let down sunlight, the stands of tamarack on the northern shore light up a sketchy golden-green which I am reproducing in colored pencil on paper, in a spot I've dampened with a wash of watercolor umber. I have to wait, filling in the hulks of tamarack to create their outline that forms that piece of waterfront, a momentary glow of newborn color before the cloud-shadow dims that green to the general brown of that shore. My hands are stiffened and slow because of the wind chill all across the point here at this old Finnish-American farmstead. The wash on the page needs to dry, however slowly, before I can come back down here and resume what I hope tomorrow's daylight will still make way for--ephemeral overtones along a faraway landscape during its typical transition still always individual to the year we're in. 

Days later at the start of May we're still chilled on visits outdoors, but the tender beginnings of leaves are emerging in the understory along the road and I've come to sit in a chair at the edge of the gravel to look out for newcomer birds. Warblers of three varieties are, this very hour, arriving in troupes--myrtle, palm and a few black-&-whites hurtling, past me, above me, a few coming near me probably to stare at such an unlikely vision as a person seated here. They've flown and blown from Central America, the researchers who band and tag warblers with the tiniest of radio transmitters have many times confirmed, all this distance back here, fluttering over the Gulf of Mexico and miles and miles above all sorts of terrain and watercourses northward. Surviving passage alongside the glass of office parks, over skyscrapers and cell phone towers that altogether pose a deadly peril for many, many songbirds, here these birdlets come by dint of intelligences all their own. On this ground it's cold enough for me, stationary as I am, to wear my winter coat, hat and thin gloves but these insectivores of summer can't be bottled up off to our south; here are breeding-grounds, today opens the doorway to spring. Spruce bog deeply hushed for the months of winter at last hosts a first few, faint whirling melodies of myrtle warblers with the buzzings of the palm warblers, and someone besides me, I really feel, should know about this momentous hour. It's time again to call my friend and birding buddy who has entered into memory care for Alzheimer's disease in her mid seventies and has had to move away from home in southern Minnesota out to a facility on the West Coast. The staff go get her and put her on the phone to return my call and at last we are talking again, and wondrously she still remembers the bird names I cite through my portable phone. She's thrilled, it sounds like, taken out of her present day for a moment back to smatterings of choice adventure from not very many years back. They're even now still a part of her. She was an avid birder who compiled the data for a nearby Christmas bird count when she lived in southern Minnesota. And why would bird sightings not live in a birder's soul no matter what had happened to the intellect?

The conversation fills me with elation at the implications in nature and organisms for possible renewal, even miraculous recovery of what had seemed lost forever, destined for forgetting. I could imagine Laura, at least in daydream, birding again--or rebirding. She's in a season of life when the peak of outdoor adventuring can only be savored from out of the past, or maybe through reading and movies, whereas I have it, blessedly still, right in front of me.

Summer is beckoning now, taking early form, yet my intuition says that we are facing a broiling growing season all in all; the polar ice caps have been shrinking fast so the moderating influences on midyear heat are dwindling along with the Arctic icepack. Jerry, my husband has had a lifetime's familiarity with wild rice, the namesake of our lake, and says that the Minnesota DNR's policy of letting water re-enter the lake from its inflowing river have let the plant restore itself in colonies somewhat as thick as those that proliferated here some decades ago. Too many beaver dams, he says, have been allowed to stay up along the river that feeds the lake. Little did we know, however, what a drought would characterize this year, lowering the lake lower than in his or any neighbors' memory.

As we would find out, the grass named manoomin by the Anishinaabeg people, or wild rice (Zizania palustris) flourished this summer, near shore and offshore, skimpy by contrast with the legendary hayfield-like effect of wild rice beds that drew hundreds of gatherers by car, out into their canoes during the 1960s and 1970s. But strips and patches of it, soft-green, could be recognized this summer, even more than last, by an experienced spotter like Jerry from shore. A canoe course one day took us briefly burrowing through a bed of wild rice almost as if we were in a wagon on ancient tallgrass prairie where you could barely see ahead of yourself. These two summers I grew familiar with the stems and florescence, typically structured grass shoots rich in greens, reds and ochre, and I felt during July that now was the time to do me a drawing--a homage, in my mind, to the exquisite plant. Pencil strokes proved impossibly grainy, and never could my hands at any age have been steady enough to make an unvarying brush line doing justice to the straight, never-kinking grace of those long wands of stem. Need of a workable art medium impelled me to the local art supply store where I spent ten bucks on my first-ever box of watercolor pencils. Through their use I was delighted to gain a much better control over the subject's boldly necessary lines, such straight yet minutely veering lines, even if a dent or irregularity in a stem proved inevitable, combining the best of what pencil and paint can render on a sturdy piece of paper.

Wild Rice, Ripening

When several hot days' intensive work at the lake's edge had passed, I felt confirmed in an earlier hunch that nothing I did to illustrate this plant would ever capture its glory. A hand drawing would always look like artwork for a scientific study and little more than that. Is it something about a grass, whatever kind it is, that makes this true? Is it that one grass specimen is prosaic? The music or poetry or glory is in the entire throng of wild rice, I suspect.

Twenty years ago in watercolor and gouache I painted a tangle of big bluestem against clouds. The result was lavish but not from the perspective I had imagined, which others have caught by lying down shooting skyward through the grass stems with a camera. But that painting, Bluestems in the Autumn, with its richly autumnal colors sold to an eventual enthusiast at a November holiday sale.

My several-days sketch of wild rice exhibits some of the movement of grass in a waterside breeze but not the two-fold function of the plant, typical among grasses, as stitch-work gripping the soft earth to secure it in place and as food from the grain that forms high up the stem. Another broader, more intricate painting of the wild rice must await my or someone's undertaking, as need of some sort may dictate, that reveals the perpetual water the plant lives in and reflects into, the upper root system, even, and the moving superstructure of red but darkening rice grains that bring the ducks, swans and geese, the herons and muskrats, and the people who know how to efficiently, effectively harvest. The white background here betrays my early appreciation of the manoomin at best.

Dealing with Winter-melt

Snow melt along Lake Superior's northwestern shore must have been thickening today's low clouds that never gave way to any sunshine. But heavy overcast is okay with me--it instills, I think, a special intimacy with everything drowsing under the cloud cover. Temps. were 37 degrees F outside of Two Harbors and 39 in town along the backdrop of Lighthouse Point. No ducks or other fowl than gulls appeared on the lake. Conditions made for the most marginal weather for outdoor watercolor, but I had come scouting to find a dark ledge of local basalt cliff I could observe to finish up  a watercolor commissioned by my friend and co-worker Scott W. Crouching rather than sitting on the snow lest I get soggy jeans, I daubed in the colors of the cliff and watched the paint not dry. My parka was open, but the chilled outer edges of my hands knew the day was not much warmer than freezing; by that means I could say: it IS winter, and Decembers decades ago DID include some days of thaw, and so I can better accept this kind of winter day. I took the painting to the car to dry while the daylight dimmed and the 101st St. Olaf Christmas Festival came in on FM radio. The car is an old, first-generation Toyota Prius which, once run a short distance and warmed up, works compactly as an art studio, holding sun's warmth or engine heat inside without needing to idle by internal combustion, only the electric ignition; that experience consoles me. At least some of us are fortunate enough to have the advantages of a hybrid car.

The St. Olaf Choir buoyed me further with the sounds of the old and the new, bringing me back vistas of my central Indiana beginnings and bonding them with visions of the Upper Midwest and the boreal region, which are home now and the home of my art. The Christmas compositions said it is possible to bring old masterpieces into a new time, and the darkening day, with cosy heat in the car despite the raw air outside, said it is possible to accept some taming of winter, and adapt with a plant and animal community that is adapting as best it can to a more generic temperature regime that may, who knows, ultimately become common to all of central North America.

Just the Right Extent of Loneliness

Necessarily, I welcome time alone and have arrived at a phase in which I've got all that I could want of it. Day by day it seems I have to ask myself how much is too much. Connections from home are by phone, internet or a walk to a few businesses or kindly neighbors.

Last summer I was putting the lawn mower away when a neighbor I'd yet to talk to stepped into the doorway and invited me to stop over, two doors down, no matter when, saying "I know how it is." I must have known she was talking about social isolation; I think to be exact she may have meant marital strain at the same time since she stays home or visits nearby while her husband works in construction 180 miles away in the Twin Cities, being gone for at least a week at a time.

I eased my problem of isolation by finding a guy my own age to love but it's a situation similar to hers as he, a carpenter, has to locate near a customer base and a clinic, at least for now. So as I work from home weekdays I confront weekends right along with my own aging process, recoiling from new episodes of being all alone. It's this fear, or distaste, that I have to try and take apart. For a week at a time in northern Ontario I have coped and enjoyed my days alone, free to my own choices, with loneliness surfacing, then ebbing away, often in reaction to a sudden wild animal that made me suddenly feel I had company. This state of being is possible. I embraced it before, during and after. But didn't I know I'd be coming back where I could pick up the phone and visit, if not actually see family and friends?

Remembering that book, Women Who Love Too Much, by Robin Norwood and its advocacy for women who endure an emotional bond, marriage or whatever, with a man who isolates and wears them down invariably body and soul, I recognize the behavior pattern in myself. Seeking to improve upon my own troubled history in the child-rearing years, too often, in bouts, I fret because of the distance in miles between the man and me and our differences in temperament. I'm given to this sort of  convoluted mental suffering, time and again. Causes for it have to be taken on, dismantled all that I can dismantle them, even if the requirement imposes itself for years and years as a daily internal therapy. That whole situation recommends a person's comfort in aloneness.

I see myself suddenly as a clear stream in rocky-hilly country, high in oxygen and rippling free, inviting, involving and frank, sensitive to disturbance. My origins make me how I am. Loneliness will make me ache with cold and I'll seek solace and a functional re-integration of all my inner currents. The sun may sparkle pleasingly, which I can reflect for all to see. But does embroilment in aloneness come easier the more it's practiced?--so many conditions lessen by dint of disciplined exposure to them. Over months and years, conditioning. I would learn a new serenity and long-term contentment, maintain myself against heart soreness and shriveling and even, who knows, cancer?, this way if able to master  inevitable, especially longer and longer stints of aloneness. The lonely feelings all by themselves might just fade the way youth fades.

 So many survivors learn this or already know it.

Books, lately a masterpiece by Louise Erdrich, The Plague of Doves. The bog, its roads with the tamaracks and spruces shouldering close alongside, its moss hummocks helping to hide animals which may, some of them, endure heart-ache that would shock an imagined human inquirer who won a chance to resonate somehow with exactly how that creature feels, for want of its own kind or anyone. Experiments--for me, with fishing bait and technique, with bread recipes or new foods. Music. Conversations that collapse time. Chores, plants cultivated or wild, errands to town, conversations. Then another foray with the paints and pencils and pens, rag and paper and brushes, to where the eye sees and the mind's eye harmonizes, the hours pool into my own best efforts to make a realm of beings on the paper, a community in balance for the sake of wonder, magnificence and surprises. The loneliness by then would appear to be a medium for everything that matters. Day by day this will have been lived out.

.      Hearken Midwinter     9 x 11 1/4" watercolor mixed media painted in and near the Sax Zim Bog   Visit or inquire at www.epiphaniesafield.com

The Travesty That Is Today's America

Imagine that you are a big girl in a society where everyone is struggling just for food and enough water, and you have no prospects to set you apart from anybody else in the struggle. Any skills you learned have no value because no one can pay you to use them and there are no raw materials. You can't afford to think beyond the struggle. Maybe you have a sick parent or brothers and sisters who depend on you. The only thing anybody will pay you for is sex, so you can only capitulate, get a dollar or two that way and make yourself available to other possible clients for their free-ranging ideas of sex. You get pregnant that way, for sure, and maybe you pick up a disease which you will have to live with till you die. There are no clinics and no one to go to for birth control. You or girls much like you commonly deal with ten or eleven pregnancies, if not surviving sons and daughters, before your reproductive system or your body wears out. Then those offspring, almost certainly, face a future of despair comparable to yours, whichever kids live to grow up.

This is the way recent U.S. policy has willed that life should remain for the world's poorest poor women in equatorial or sub-equatorial Africa and Asia. Every Republican president since Reagan has ruled that the vile A-word should be the crux guiding foreign policy as regards family planning assistance. If a clinic in a foreign country offers abortion, makes referrals for it or recommends it in any of their practice then no U.S. funds are allowed to go there. No more evil medical procedure, these officials rule, has been condoned through official channels than the A-word, which means the snuffing of the innocent life of an unborn child by the whim of the heartless mother. It's clear-cut and it's wrong and it speaks loudest of the innate evil in the souls of men and women in their procreative years, but particularly women. So we will not condone it by any sort of U.S. funding. That's the way the official Republican thinking goes, whatever many thinking Republican sympathizers may arrive at in their own judgment.

If we are religious or spiritually-inclined and believe that a soul is given to every mortal body at conception but admit that not all who are conceived are born (for any number of reasons) and that mortal life can under some conditions be little more than wretchedness, WHY ARE WE NOT WILLING FOR PREGNANT WOMEN TO GO FOR HELP IN TERMINATING--OR EVEN PREVENTING--PREGNANCIES THEY DID NOT WANT AND CANNOT HOPE TO RESULT IN A CHILD ABLE TO SURVIVE, FLOURISH AND BE WELCOMED INTO A PREDATORY, DESTITUTE SOCIETY?

If souls are eternal, better that they populate somebody in some time or place who can expect the community to value the person, where there is hope of some earthly reward. Let pregnant mothers be free to assess that and let's get on with OUR OWN BUSINESS, let's not mind theirs as if we knew anything about what they have to cope with. In this world approaching a population of eight billion people, why do we make policy that says more, endlessly more children are God's will? Do we believe that God's will is a squalor of wasted lives, wars, unmet need and destruction of water, air, soils and other living creatures we've been sharing the earth with because we should observe no limits on ourselves? We have our own sacred cows in the U.S. value system, apparently, and these are human embryos and fetuses.

Under the Trump administration, the Global Gag Rule, revoked by President Obama, came back in fuller force than ever under previous Republican eras, taking away funding for any form of health assistance including treatment for malaria, HIV, malnutrition and any and all family planning if the recipient organization wouldn't sign a statement that they never provide abortions or refer women elsewhere for them. So, how draconian, mean and ruinous to the whole human and earthly community have we wished to become in this disunited nation?

We are intelligent enough to know that any organism including the human that grows without limits hits limits, on its air supply, its water and its bodily territory. Only a cancer tries to grow forever and so it destroys the body it afflicts. How is American Christianity, the originating belief system in support of the U.S. Global Gag Rule, upholding God and the Lord Jesus Christ by imposing early death and misery on thinking, spiritual human beings in countries that have the least remaining resources to cultivate? 

It's not our role to judge that people--women especially--in other lands, of other religious backgrounds, are less holy than we are. Moreover why do the most sanctimonious U.S. Christians feel that God approves the using-up of what may be the most beautiful, diverse planet in the universe by ourselves collectively and our industry? Do we really choose depletion, extinctions and squalor in favor of money in wealthy people's bank accounts and the stock market? Yes?

The situation in which we find ourselves, and the U.S. system of values as it appears, makes me absolutely disgusted to be an American citizen. I would sooner, if I could, retreat into history and have some other identity from before there was a United States. I would rather that the United States had never existed, with some, truly democratically-governed nation in its place.

Ancestral Strawberries, Lying Low in Bits of Field

Since Trump said the U.S. was no longer a party to the Paris Treaty on climate, the Sierra Club, among other environmental organizations have advised Americans on ways they can commit to remain in the treaty individually or as a community organization. Cities, universities and other U.S. entities have made their own pledges to remain signed on. Copied below is a Sierra Club-issued example.

           Pasque Flower, a spring American native plant evolved in the chilly climate regime of northern prairies

The American People Support the Paris Agreement

We, the undersigned people of the United States, will continue to support climate action to meet the goals of the Paris Agreement.

I commit to:

1. Reduce my own carbon emissions and do what I can through everyday actions such as taking public transportation or carpooling, making my home more energy efficient, switching my home electricity to renewable sources, and limiting food waste.
2. Support U.S. states, cities, businesses, investors, universities, and other entities taking strong climate action and showing the world that the United States is still working to fulfill the Paris Agreement - and call on others to join them.
3. Urge President Trump to keep the United States in the Paris Agreement and protect federal safeguards for our health and environment from regulatory rollbacks and budget cuts.
4. Call on Congress to hold polluters accountable and oppose any efforts to weaken the environmental protections and climate policies that protect our health and well-being.

So much assorted people activity is to blame for carbon and methane choking the atmosphere that it seems to me that a person not especially talented at hosting parties or political organizing could at best devote herself/himself to cutting emissions on a whole range of lifestyle-enhancing fronts, going on to advertise all the ways and means they figured out how to do it. Think in terms of gasoline ignitions and idling engines, as well as electric current coming from wall outlets. Remember that nearly all synthetic manufacturing is carbon-emitting at some stage of production in our times. Do you buy more brand-new stuff or, as much as possible, viable used/even antique stuff to furnish your home? And then ask, what's my vocation and on whose behalf do I do what I do? What do I value about myself enough to nurture and what else might be my legacy, toward everything that's a part of living Creation, big parts of which are now at risk.

     Now that I have a yard of 12,100 square feet, counting the house and gravel parking spot, and no power mower for the grass I'm remembering the summers fifteen years or more ago in a smaller yard that I'd planted with native prairie flowers all around the skirting of the house. That yard got mowed with a Sears Craftsman reel lawn mower that husband Jerry bought me. That mower's been in storage mostly for the past dozen years, but now I've gotten it back. Lately I had the blades sharpened by a qualified neighbor and this is my intended mower for as long as I am master of my fate. No carbon spews out of it (except for the little puffs I'm exhaling!)

     A reel lawn mower, in contrast with a gasoline or electric mower, cuts the grass selectively, rolling over but not cutting stems that stand above the thickness of turf below. Sparse herbage of whatever kind tends to be spared by the tumbling blades. The cut grass ends up not shaved like a conventional power-mowed lawn but noticeably shortened and textured with longer tussocks lying over against shorter in a beautiful effect reminiscent of hay maturing in a meadow, or prairie grass riffling to the breezes.

    Slow-mowing the way I do it won't work for a lot of people, especially with the bigger yards; it verges on being strenuous exercise along some stretches of ground, especially for the shoulders and upper arms. Of course for other folks that's a point to recommend it. However, combining your mowing practices with food and flower gardening, and/or cultivation of wild native plants is a best-yet approach to phasing carbon spew out of your yard care. City rules where I live say grass is to be kept no higher than 5 inches. The entire front and streetside regions of my yard can be kept like that for the grass growing season by slow-mowing. Around the corner on the north where the lawn blooms this time of year in orange hawkweed and patches of white pussytoes I've begun contouring it with mowed pathways around the thickest orange and white stands of those meadowy flowers. On the highway side are a couple more long patches in which pussytoes and a few blue forget-me-nots (like the hawkweed, not native but naturalized from old Europe) rear their blue and white heads. The yard so far looks groomed, with a contrast between naturally occurring moss where I have wet ground--a low carpet of lawn and high fluttering tufts, and it's colorful like a proper northern Minnesota forest clearing. I don't see how it could be considered unkempt or unsightly no matter who's looking at it.
    
     Manual, non-motorized yard care edges out the need for physical fitness routines, if you have any. Then, which errands can be run on foot or by pedal-power? You might find you really do have time for these self-energizing chores ever since you've been making your living--at least some of the time--from home. This is habit-building that can preserve bodies, the air, the climate, and the wild neighborhood of distant kin that have been succumbing to pavement, traffic, commercial/industrial chemicals and the changed weather regime with its symptomatic harsh flooding rains, angry heat and opposing runs of drought. 

                                          New-cut lawn with standing summer wildflowers left as found


       There are less-kempt lawns than my own in this town, other yards besides mine where ground is allowed to diversify from monotonous grass (monoculture) back into its old mixture, supporting broader-leaved standbys of the natural community that lies beyond; by keeping these growing you will have food plants for everything including maybe yourself. People have a long history of foraging plants from just beyond their doors. This thought opens out a long green-gold rug of memory, as I recall crops picked in open air in the 1960s, 70s, 80s and to a lesser extent later. Wild red raspberries,  black raspberries with seeds lodging in the teeth till poked loose and nibbled to fragments just between two teeth, wine-tart blackberries and dewberries, blueberries in Lake Superior country, mulberries along fence rows, apples in orchards long untended except by bees still free to flourish, a plum tree, a forgotten peach tree that let 32 immaculate peaches the size of softballs onto the lawn's edge, and the wild strawberries of late June. The strawberry blossoms (Fragaria virginiana) were a signature of well-drained ground abundantly warmed by sun at summer's onset. The fruit, big as thumbnails at a maximum, hid hanging just above earth, screened in grasses, with the beaconing aspect of new-found Easter eggs. Nursery-grown strawberries could never taste as sweet. A hilltop's picking of strawberries could add up to the 3-4 cups called for in a pie. 

     Shown below is my newest botanical in watercolor and ink, a miniature piece brought forth out of preserved memory and thanks to obsessive lawn care practices abandoned in the face of the foreclosure crisis and of all the things that have hounded midwestern U.S. citizens away from the towns lying along remnant strips of countryside. At least here, a dainty ancestor to one of the fruit crops most cultivated in this land still keeps to its life cycle.

Conservation, conservatism and, yes, liberalism are roots to the same commonplace plant...

       Wild Strawberry Marked your Path  - appearing soon at https://www.epiphaniesafield.com/

Does Someone Wanna Coax him Out?

It's the beginning of May and we birders still have a lot to look forward to. Yesterday I heard a northern waterthrush in soggy woods by the river within a mile of home.  It's a jolt of momentary melody and another debonair songbird whose entire class of creatures has always gripped my heart; even more than most animals birds are for some human beings the utmost subjects of art. That heard bird, a species of warbler even though it's been named 'waterthrush', foretokened the 2017 arrival of breeding warblers here to the northern forests, or to the North Woods, or to the bush, as known to Canadians.

A seasonally recurring bird in watercolor/pencil, seen in fall along the shores of Lake Superior: Calm and a Pipit



Since birders are people of all different kinds of drive and talent, it seems there are various attractions inherent in birds that may trigger any one person's fascination with them. I've known of birders to come from backgrounds as varied as industrial manufacturing, auto repair, law and politics, the military, music, teaching, graphic arts, the church, medicine, the biosciences and the hospitality industry. Some birders are assertive types who will challenge others and campaign against civic wrongs; others are retiring, comparably meek sorts who prefer the company of nature and animals over the rest of us, but who might after some agonizing turn out to a public meeting in order to confront the prospect of disaster. So, out of the cross-section of types described here, why couldn't an invitation be made to Donald Trump to come witness a spring bird migration? 

Of course he could prove to be exceedingly bored, lacking the powers of eyesight or the curiosity to bother sorting even a single moving bird out of its background. But what if he's never been properly tempted with the opportunity to make birding his own kind of sport? And what do I really know about Donald Trump beyond what I've read, including suggestions that he's got dementia coming on? But if all it would take is a certain kind of appeal to a certain notion of sport within Donald Trump then would someone who knows him, or knows someone who knows him, try taking him on a field trip? If he could see splendor in a $$$ designer cheesecake, or even in a double Big Mac meal, what mightn't he see in a bird that's flirting its magnificent tail, or speeding after prey, especially if he could spot the bird before his companion(s) did. It would give him a personal triumph, which he demands at all costs, from what the articles about him say. Going after new and different birds could stoke his need to pursue a flying quarry worth more to brag about, maybe even in his own sense of aesthetics, than a tiresome golf ball on turf, though he might or might not have to let go of old biases toward the end result of getting laid. Of course too he could walk along, or roll in his cart if he must, at his own pace, and once coming in from the trail he'd find his day changed and even some explosive kinks in his mood loosened up--for no reason he can name. At any rate I'm just saying what if... because, in a desperate ploy to stall his issuance of executive tweets, simple measures like this deserve a little considering even if they come from my own most worthless daydreams.

Wolf in an Enriched Setting

Flat countryside full of watery pockets that freeze and melt back into cool swampland triggered this painting. My home region along the Canadian border remains wolf habitat, and for a person a wolf sighting tends to be remarkable and quickly over, since the wolf wants to get away. I wanted to portray one wolf that paused, sadly if I'm not mistaken, alongside me in a manner that so much carnivorous-animal art does not pick up on. When I reflect on North American paintings of the wolf I think of wolves in glorious poses with heads high, or wolf packs engaged in chases. My Tuesday morning wolf from the spring of 2016 paused in a bulldozer's ruts, ducking her head and exuding suspicion at being viewed by someone out a car window. I had a moment's vision of German shepherd dogs made afraid by a family member's loud scolding, in a cowering pose. This wolf cringed with lowering head and ears for a moment, but then regained her dignity and exited tall and trotting, taking no visible path across a poplar grove. 

This art piece aims to extol our continent's lingering timber wolves in all their well-warranted shyness, which helps them save their own lives concurrently with all our industrial expansion, murderous trigger-joy and ingrained superstition about how cruel wolves are and how hungry to eat us, not to mention our fears for our pets and our livestock. The composition seems overpowered by the flatness of the foreground. Depth occurs in layers, with rain clouds behind a distant line of forest suggesting a layer of hills within, and then the grove of 'doghair aspens' like one continuous, many-stemmed tree erupting from the flat meadow behind the wolf. The wolf is assuredly the star of the painting, exposed like a potential victim in front of a human ogler, armed to shoot or merely passive. This land's marshy flatness, from the perspective of the painting, combined with cold climate and soil infertility recommends itself to onlookers who would rather see places still this rustic kept vacant from takeover by our enterprise. But no matter, this little wolf landscape looked too flat and too inconclusive, to my judgment. The open-ended issue for me is how my wolf as shown would or wouldn't convey fear of whatever had put it ill at ease. An art piece about a fleeing, frightened wolf might better be dominated by grass and landforms, the traditional retreat of wild wolves which cover so much countryside ( up to125 miles in a day, according to Barry Lopez in his Of Wolves and Men) in all their questing, long-legged might--the wolf in that picture nearly lost to sight.

So my first wolf scene as it was lacked context. I still needed to show that the wolf knew how to exit from the hazard that comes with a human encounter. That more accurate context invites use of the poetry of little trees whose whole purpose from their tender beginnings is to reclaim open land, making cover for littler and larger lives both plant and animal. The north country's poplars, or aspens, sparkle in the breezes, quivering, delighting us as we cross their expanses. Is it possible that this wolf in art, whose form never underwent any revision except a little more contouring of its fur coat in the meantime, has gained in dignity because a grove of sapling aspens grew up around its route of escape? A bit of added downslope, as well, takes away from the earlier sense that the wolf is heaving and about to get sick, or is in disgrace.

A Lonesome Retreat vs. a Frenzy of Adaptation

In winter when soils and bog waters are frozen there is a creek I walk just about due north of home, out of hearing range of most anything human except the odd gunshot, or a plane high up. I'm on the ice or on erratic marginal land petering into islets sometimes just big enough to support one of my feet, with little bog plants bearing leathery reddish leaves all between my strides, which are slow and ponderous in case I start to hear any ice cracking. Also I'm listening, since I want to see winter's most secretive warm-blooded fellow-creatures that venture through our spruce bogs. On each side stand the tree citizens of cold wet terrain, old black spruces and tamaracks maybe as tall as a store building on the edge of town. They take a long time to grow in the acid-rich watery soil, which in certain spots is a living upholstery that bobs on top of groundwater if stepped on.

A boreal chickadee, more predictably found near a cluster of suet feeders in prior winters, would be welcome if I could hear any chickadees at all, but this time hardly a one calls out throughout the afternoon, and no wheezy boreal chickadee voice this whole winter long. The boreal is shyer than the every-day black-capped chickadees, much more selective of its habitat which is typically bogs, and--could it be--prefers to stay away from ourselves, the bipeds that talk and lift binoculars at them. Yesterday I noted only the chet-chet of white-winged crossbills calling from one to another sky-high somewhere where there may have been a view of cones on firs or spruces.

It's become significant to me how much oftener, if it happens at all, I see my wild four-legged kin from the road where I'm driving than I do anywhere I happen to be walking. Or if I meet a big mammal from a trail I'm walking or skiing it goes by in a flash, like the cougar silhouetted off to my right in post-sunset forest by a river, or some low brown animal or other deep in grass beside me on a fishing afternoon. Cars quietly coursing a county road or driveway seem to be more trusted since the other creatures know they don't, by nature, swivel around suddenly or leave the road but to keep their bearings, though risk may intensify if a car stops at any point. What wild animals make of ATVs probably fits parameters of its own.

In any case rare creature-sightings come as surprises in places to any degree wild or worked over by human industry, like bird rarities dropping in on suburban lakes or farmers' mud flats. In the Anthropocene Era, the geological time period that mass human activity is said to have launched beginning with the atomic bomb in the mid 20th century, every shy outnumbered animal a person sees can be thought of as having some human influence brought upon what it breathes or circulates through its tissues or what perils it dodges. But if it lives, rejuvenates itself, bears offspring and risks showing itself off to respectful gawkers like ourselves, it's made some adaptation to our ever-growing takeover of earth. For those of us excited by novelty and resilience in the animal kingdom, hope for these creatures endures.

                            Mixed-media pencil-watercolor: Pecking Order in the Collapse of Seasons

Right about now, their struggle seems inexorable, since too many business-immersed people making up corporations consider little as important as the mandate of growth in profits, theirs and their allies; in the age of water drawdown, climate collapse, pandemic and famine there can only be a crescendo and a collapse on the large time scale. Nothing grows forever on a finite earth; the faster the would-be subduing of nature, the sooner and more abundant the repercussions. All kinds of living things, meantime, are moving to where fear or new atmospheric conditions sweep them. We have exotic plants and animals, and we have extinctions where wild beings were stranded in the only homes they knew.

The mixed-media art piece shown above, Pecking Order in the Collapse of Seasons, was drawn from an initial scene in grittiest downtown Duluth, Minnesota where imported, naturalized bird species like the English sparrows and the Eurasian tree sparrow shown on the wall commingle in the breezes, in the wake of confused, abbreviated seasonal phenomena, with stray plants that will grow in the poor soil at the footings of a parking lot, or out of cracks, plants whose seeds were borne from nearby beaches or  farms or gardens way inland. Sorrow yet wonderment at all kinds of transitions out across the natural world amid the chill of this past winter attended this work in a corner of my latest home in Floodwood, MN. Dried clippings of last year's weedy fruit and flowers served as my models. The piece is 12 x 9 inches or 30.2 x 22.7 cm. unmatted, and is painted in watercolor and pencil on cold-press 140 lb. watercolor paper. 

In which the Wind-borne Find themselves Impelled

This winter, for two full days on separate week-ends I've been one of the birders heading over northwest to try and see a rare bird visitor, the curve-billed thrasher who should normally be found in warm arid places mainly in the far southwestern U.S. Work-related priorities during the last three occurrences of rare birds have cost me those sightings; I'd miss them by at least a day while I ran errands or took care of some first thing first. Each time I got there the bird would have left the scene, gone for good or just temporarily, where it gathered less attention. Gales of wind, rain or snow have a lot to do with odd bird arrivals everywhere, I have read. Yet why a thrasher from hot lands of chaparral, sage and cacti would opt to roost in spruces along city streets in Itasca County, Minnesota all beset by frozen peat bogs in January's deep freeze no one has explained so far as I know, but it's interesting to think about animals no matter what kind they are, and what some sports among them may do partly by choice. For corresponding reasons birders feel compelled to zoom along miles of highway, familiar and not, to see a strange and different bird for its unique evolutionary splendor, even though it might be an immature dressed in drab plumage.

If this thrasher continues showing up in the same neighborhood I figure on making time again to try finding it with the help of others who will be trying, most having come a lot more miles than the 36 I've been traveling to get there.

Meanwhile I'm most of the way through the homespun travel memoir From Blueberries to Blue Seas by my friend and neighbor Curt Bush, published just last year by the Savage Press of Superior, Wisconsin. In 2013 Curt followed where his heart and fascinations were calling him, taking a 28-foot sailboat he had bought and outfitted for a long solo journey out of Duluth and down the other Great Lakes, out the St. Lawrence Seaway to the Atlantic Coast of New Brunswick, Prince Edward Island and Nova Scotia, ominous with winds and seasick rollers, crags and sunken rocks and three-day fogs. Having trained himself on earlier, less suitable boats on the perilous near-shore waters of Lake Superior he had gained the skills it took for him to survive storms, mysterious tidewaters, shoals and other deceptions of nature besetting the long route from midcontinent to the sea. The story, in lighthearted tones that reflect the teller's everyday style among friends, nevertheless recounts his stresses and moments of rage interspersed with his delight in places, landmarks and companions met, cherished and left behind. In the part where I am today he is nudging his way along the coast of Nova Scotia in a fog and a headwind, with reefs and boulders to either side, making only 30 miles in a day, using charts, an instrument called a chart plotter and his anxiously squinting eyes in order to keep from wrecking against obstacles and ledges barely to be seen alongside. Once he puts up for the night in a bay on an island wrapped in fog, the only sheltered bit of water the maps reveal, demonstrating how, even in the technological age, a person can still painstakingly venture with something of the attitude of fear, daring and triumph known in the Age of the Explorers over lands they crossed, at a pace truer to that period before mechanized transit. No human may have been on that scrap of land before him, he'd have supposed for at least a moment. This reader would love to have had the know-how to make the same trip herself, or a different trip on a route even farther from popular consciousness.

The thought came to my mind as I was reading, and not for the first time: what if an ancient overland traveler, a North American of 200-300 years ago, could be reincarnated and sent walking over familiar terrain, with at least a vague idea of how much time had elapsed. What would the person see that still evoked the place in those bygone centuries; what rediscoveries, besides the stark changes, would the person proclaim to some modern-day fellow-traveler, like me? Could it be that as long as there is humankind there will still be be a few trekkers on foot or by sail or by hand-powered boat, seeing what is out there up close and intimate, growing spellbound at the hand of nature?

In our time when the urban hordes and the corporations supposed to serve us all threaten to scrape  away soils, acidify waters and ruin the climate for anything out in the open, it seems to me a kind of learned adaptation to detach in happy-go-lucky style and move within the moment, eternalizing it inside the self. Whatever the weather we'll weather the weather (if the means persist) as some old song said. It's easiest if the present weather is a kind you savor--bright if you adore the sun, dim if that fits your temperament..

Remembering back to last fall when week after week of August-balmy sun prevailed and unusual people like me, not particularly a sun lover, fretted that we might have crossed into a new winterless era marked by long dark nights with the interspersion of a little frost, forget the snow, I've been drawing and painting a different, recent bird visitor. Day after day back then we had had southwesterly winds. Those must have been the impetus for the sudden, startling Eurasian tree sparrow seen on a weekday morning from within my car where I slouched in the driver's seat looking over a call list I was planning to use that day. This was in a sloping gravel parking lot above an alley in downtown Duluth where English sparrows whirl and forage, pigeons peck and gulls swoop after morsels flicked from cars. I had seen my first Eurasian tree sparrow in the January not quite two years previous, a visitor to feeders in Hastings in southern Minnesota. But now as I looked at the specimen just an arm's length above my windshield on top of a retaining wall, I was stirred with a memory of rushing from the car in weeks recently past and glimpsing what may have been an earlier Eurasian tree sparrow but dismissing it through inattention. Some days later a local authority on birds saw another Eurasian tree sparrow in the town of Two Harbors just up the Superior shore. I connect these strays with the southwesterly winds that must have swept them from Missouri or neighboring Illinois where their species, by some whim introduced from Germany in the 1870s, is more reliably sighted among the grubbier, more raucous and ubiquitous English sparrows.

Work-in-progress with English sparrows and sole Eurasian tree (or German) sparrow on top of a cracking, very American retaining wall

As the days lengthen and thaws allow me the chance, I will keep at this little 12 x 9" piece of work that shows both species (not true sparrows) side by side but mostly minding their own affairs, with a background that suggests crumbling, dispersion, residues and traceries of what once made up the area environment. The mood suggests the whimsical and fleeting, the weather-borne, restless and unstable, given over to wandering for maximal stimulation if no other gain.