From North-Central North America - A Bird and a Rugged Flower, Given from Year to Year

Just a week or two ago spring had still only partially taken hold at our latitude; we needed our jackets and the grass was greening only where it had absorbed the most water. No green had yet overtaken the height of the woods apart from the blackish evergreens, but could be seen below them on all kinds of shoots. My memory of those couple weeks or so of early to mid-May seems to have knit like a tapestry of springs accumulated from the past, a treescape I could hardly have imagined developing in this delicate manner, phase by phase. Springs henceforth, as I'd come to envision them, would be products of a new regime of climate drying and baking these border-region lands the way we saw happen two years ago. Or, I had supposed, I'd be moved away, too far into a city or suburb for the privilege of noticing the spring widespread for hours and days at a time.

For three weeks or so this rainy May we were visited by an assortment of sparrows, some kinds come to stay and nest in meadow margins or woods, and some on their way as far as the 'land of little sticks' at the beginnings of the tundra. White-crowned sparrows are subarctic-nesting songbirds known to North American birdwatchers from coast to coast. I recall these dapper sparrows as ground-gleaners under our bird feeders in central Indiana through the freezing months of the 1970s, on snow or bald ground, and knew their short song, with melodious notes withering into husky ones higher on the scale. Their song seemed, fantastically, to remark on the shredding tops of herbage tattered in the frost--plaintive but nothing extraordinary. But in Minnesota we are central enough on the continent to also see the Harris' sparrow in spring and in fall, a temporary regular coming and going from breeding territory along the tundra, through the prairies to the south. Where I grew up, between Indiana and Ontario at Lake Superior's eastern end, we were too far east to see the Harris', I would say all these years later.

They foraged all around the house on the soggy lawn last week and the week before, a big sparrow with grey cheeks and pink bill, the face, throat and top of the head splotched black as if someone has thrown a bottleful of black ink head-on at the bird, yet it just goes about its seed-plucking at ground level in the knowledge that for now nothing else matters. I have heard the song, which will always seem like the first line of a song without a finish, from low in the shade of spruces that form a wind-break on the north.

To the south in a patch of mixed woods, second-growth like so much woods, low with pooling rain and meltwater beneath the aspens and firs, I found a stubby few specimens of a flower like an aster or fleabane, just getting started with a tuft of drab florets having a greenish eye hidden in whitish. Stiff little leaves angled out from the stem like leather, each cured on top with a lustre of green. I thought: I've seen this plant in a photo in one of the handbooks. Five minutes later the name surfaced out of some botanical photo or other I had seen in years of paging back and forth among similar wild plants: coltsfoot. There are four kinds of coltsfoot, or Petasites, included in Britton and Brown's three-volume An Illustrated Flora of the Northern United States and Canada. To be sure which species we've got, I'd have to wait for large basal leaves to emerge alongside the wands after they had gotten taller and mostly finished their flowering. Yesterday was the day to wander back over there in rubber boots, since the snowmelt and ooze from the saturated soils lingers in the open and under the trees, nurturing a whirl of mosquitoes not to mention a busy crop of ticks. What we have is what I'd suspected: Arrowleaf Sweet Coltsfoot or Petasites sagittatus.

Open country today is so often overrun by introduced weeds including things at one time seen as useful in the garden or for livestock forage, yet our native specialist plants still hold out in their traditional ranges, not always on public land but on private land like that down the road, in far-flung rural tracts over-browsed by the deer whose numbers once were checked by wolves or pumas or grizzlies in an era of greater plant and animal diversity. The multitudinous flowering plants have been losing out to a degree little known as a result of so many grazers since we've killed most of the predators.

In a landscape that some call wilderness, depopulated a generation or so ago, there will be a non-human community trying via each species' own life cycle to find its way into an inclusive balance. Walking and wheeling my way through this part of St. Louis County I've been surprised both by what I do and don't find. Probably I haven't covered enough acres yet. But in commemoration of this majestic spring amid the swamps I decided I would put two hallmark finds, a visitor or bird of passage and a wild native lurker from the plant world, into one design in my usual mixed-media, primarily watercolor. This will be on stationery soon, devoid of any title unless the sender or recipient care to look it up, but storied if they'd like to ask for a story or two.

      

Unfinished hand-illustration of Harris' sparrow and the arrowleaf coltsfoot. To see related work please go to 

http://fineartamerica.com/profiles/tanya-beyer.html

A Newest Questing Bird - Finding the Garganey, a Stray from Asia

In my art it's been the longest-sought birds, special to a kind of habitat, that I've wanted to paint--because I went all that distance on all those forays to try and find the bird, and on finding it had to linger indefinitely to see its most obvious, its subtle and tucked-away markings, all that I could see in the time I had. Sometimes too I've painted birds I had never expected to see even while visiting ideally suited habitat where they had been well-documented. Drawing and detailing that bird lent me the thrill of discovery all over again, the bird's form pulled out on paper, in wet and dry media in a blended effect that seemed my best for bringing back the whole experience in a setting as true as I could conjure. But what I'd make of the garganey, seen on April 27th at the first corner off the main route leading north from the Crex Meadows Visitor Center outside Grantsburg, Wisconsin is less likely to be a painting, though I wouldn't say absolutely it won't be.

The garganey is a Eurasian teal, a cousin to our blue-winged, green-winged and cinnamon teal in North America. The teal are small ducks of creeks, puddles and shallow lakes. The garganey in North America is a repeated vagrant that courts and shares feeding ground, as this one did in Wisconsin, with native teal like the blue-winged.

While driving southward from Minnesota last wet and blustery Sunday to find this duck, a species entirely new to me, I knew I'd encounter a lot of other birders. As I drove, the little car entered ever more rain and slued about in the winds of mid-continent equinox and of neighboring truck traffic. I was impatient with excitement. At Crex Meadows conditions were of the harshest kind found in spring, excepting late snowstorms, for viewing birds; we all stayed in our cars unless a certain bird ID could only be made clear of watery window glass. I rolled to and fro over the same stretch of hardpan road gone to muck, wondering at a clunk-clunk-clunk sounding from the right rear tire. The wipers churned, raindrops rolled on the glass, and as I kept turning around in pull-outs or U turns I grew increasingly dizzy. I blamed a coffee and a huge frosted cinnamon roll for what had come to seem a little like motion sickness.

A man I had met once before was staked out in his compact car just a few steps above what's labeled the Erickson Flowage, one of the diked canals that the state of Wisconsin maintains for aquatic wildlife; there, he said, was where the garganey had been earlier this morning, foraging with a couple of blue-winged teal. In an hour or so the garganey flew in with two or more blue-winged teal and afforded intimate looks, while it drifted seemingly unbothered by the nearness of rolling and stopped cars, drivers spying from the obscurity of their windows. I got out and stole back to the trunk of my car to bring out my spotting scope which I beamed on the garganey. Because my vertigo by then was staging a take-over I may have looked a little drunken to anyone observing, even as the shivers were setting in. I wished I had worn something with a hood and was glad of a pair of knit gloves that stay year-round in the car.

Moments later I vomited out the door of the car onto the road; I hadn't been that sick in twenty or so years. Pretty ironic, throwing up in the view of a life bird species, still calmly about its business in the waterway below. Having seen the exquisite body markings of the garganey through the scope I craved a look at its open wings but dared not spoil the scene for others or send off the flock of ducks by any approach on foot. When the ducks eventually rose to fly on their own they were pointed facing the cars, so I got a glimpse of pale grey wing surface high up on the outer side. By now I was so dizzy I could hardly sit up in the driver's seat. Grantsburg, I thought, had an urgent care but I wasn't precise on how to find it. For lack of any better idea, not in my sharpest state of mind, I called 911 for assistance rather than trouble any of the other parked birders. On two calls to 911 I asked for an escort if possible rather than an actual ambulance, though when offered I accepted my first-ever ambulance ride, since an ambulance as escort seemed unheard-of to the first responder. I was nervous of abandoning my car among the marshes with my spotting scope and a half-completed painting and watercolor kit shut inside to the mercies of conceivable vandals.

Along with all the stuff I'd insisted on carrying from the car, I was checked out that night as a healthy adult female with norovirus. I got sick again, much more dramatically, inside the van of the emergency-care nurse who drove me the couple of blocks to the Wood River Motel for the night. But that night's sleep, Zofran gels and a delicious can of 7-up quelled the symptoms for the time being and I gratefully caught a ride from the motel proprietor back out to the T of two roads where the car had remained all night.  Much the same poor visibility reigned in that ongoing tempest of stubborn late winter; it lambasted the few cars of Monday morning birders still hoping for a sighting to start the week. Few to no ducks dabbled within our eye view, and I thought better than to step forth into that wet cold again.

Determination, surmise and restraint rewarded by luck had characterized this quest much more than any poetry of drawn-out observation. So I don't feel a painting being born of the two-day escapade, but look at it with a half-and-half mixture of satisfaction and regret that I couldn't sit up and await an opportunity to see my quarry lift off in the opposite direction and show me his beautiful silver and green wings. Not all experiences get to the point of feeling whole. But as other birders worthy of the utmost respect have said, that's birding, which at its best includes a kind of courteous trade-off of time and closeness between observer and observed. Maybe the garganey will do a spring sojourn at Crex and I will get by there again, even en route to seeing something else.